Having thought that monogamy was never possible, a commitment-phobic career woman may have to face her fears when she meets a good guy.
Director: Judd Apatow
Writer: Amy Schumer
Stars: Amy Schumer, Bill Hader, Brie Larson |
Writer: Amy Schumer
Stars: Amy Schumer, Bill Hader, Brie Larson |
Storyline
Since she was a little girl, it's been drilled into Amy's head by her rascal of a dad that monogamy isn't realistic. Now a magazine writer, Amy lives by that credo - enjoying what she feels is an uninhibited life free from stifling, boring romantic commitment - but in actuality, she's kind of in a rut. When she finds herself starting to fall for the subject of the new article she's writing, a charming and successful sports doctor named Aaron Conners, Amy starts to wonder if other grown-ups, including this guy who really seems to like her, might be on to something.
Movie Reviews
Unlike some comedies out there, this one is actually funny. I didn't really know Amy Schumer too well as a comedian - her roles have mainly been with television but let me be the first to say that Amy Schumer, acting as a chronically commitment-challenged career woman, is some serious comedic gold. Throw in some dirty jokes, a solid script (written by Schumer herself) and SNL veteran Bill Hader, and you've got a good movie for a Friday night.
What made this movie enjoyable was the script and great comedic acting. Amy wrote herself a good character. She showcases her comedic chops and also subtly subverts the stereotypical Hollywood romantic comedy women leads (instead of pining for Mr. Right, Schumer's Amy Townsend has sworn off the happily-married-with-two- kids phase for a...different source of romance).
The script, even while developing the budding connection between the two leads, still maintains gravity by exploring how each person's problems has affected their relationship. By this, I mean that there are no silly love rivals or dramatic altar scenes with sad music in the background, but rather a more realistic look into Amy's entrenched commitment-phobia and Aaron's relative naiveté with deep relationships. Schumer cuts out the clichéd dialogue and relies on well-placed scenes and double entendres, to good effect.
And of course, with the main lead (Bill Hader) playing a sports doctor, there were quite a few brilliant cameos from big-name athletes like LeBron James and Amar'e Stoudemire (LeBron in particular plays a penny-pinching, egotistical version of himself to perfection).
You may be concerned about the running time (over two hours), but the twists and narrative detours that Schumer writes are, in my opinion, justified. They don't necessarily further the plot, but they contribute to the world that the characters inhabit by fleshing out side characters. In particular, Tilda Swinton, playing the unrecognizably bronzed Anna-Wintour-like editor of Snuff magazine who bosses around Amy and her colleagues (Randall Park from "Fresh Off The Boat" and Vanessa Bayer from SNL), was another hilarious addition to the movie.
While it's not a deeply emotional movie (and it shouldn't be), it will resonate for anyone who's ever went through troubled times in a relationship. The script is cheeky and the acting was cheekier. Watch the movie. It's good.
What made this movie enjoyable was the script and great comedic acting. Amy wrote herself a good character. She showcases her comedic chops and also subtly subverts the stereotypical Hollywood romantic comedy women leads (instead of pining for Mr. Right, Schumer's Amy Townsend has sworn off the happily-married-with-two- kids phase for a...different source of romance).
The script, even while developing the budding connection between the two leads, still maintains gravity by exploring how each person's problems has affected their relationship. By this, I mean that there are no silly love rivals or dramatic altar scenes with sad music in the background, but rather a more realistic look into Amy's entrenched commitment-phobia and Aaron's relative naiveté with deep relationships. Schumer cuts out the clichéd dialogue and relies on well-placed scenes and double entendres, to good effect.
And of course, with the main lead (Bill Hader) playing a sports doctor, there were quite a few brilliant cameos from big-name athletes like LeBron James and Amar'e Stoudemire (LeBron in particular plays a penny-pinching, egotistical version of himself to perfection).
You may be concerned about the running time (over two hours), but the twists and narrative detours that Schumer writes are, in my opinion, justified. They don't necessarily further the plot, but they contribute to the world that the characters inhabit by fleshing out side characters. In particular, Tilda Swinton, playing the unrecognizably bronzed Anna-Wintour-like editor of Snuff magazine who bosses around Amy and her colleagues (Randall Park from "Fresh Off The Boat" and Vanessa Bayer from SNL), was another hilarious addition to the movie.
While it's not a deeply emotional movie (and it shouldn't be), it will resonate for anyone who's ever went through troubled times in a relationship. The script is cheeky and the acting was cheekier. Watch the movie. It's good.
